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Deadloch season two review – every bit as wonky, devilish and potty-mouthed as the first

Deadloch Season Two Review – Every Bit as Wonky, Devilish and Potty-Mouthed as the First

When the first season of Deadloch dropped on Prime Video, it felt like a fever dream that the world didn't know it needed. A "feminist noir" set in a freezing Tasmanian town, it parodied the self-seriousness of shows like Broadchurch and Top of the Lake while delivering a genuine, spine-tingling mystery. Now, the foul-mouthed, chaotic, and brilliant duo of Dulcie Collins and Eddie Redcliffe are back. Our Deadloch season two review finds that the show hasn't lost an ounce of its bite, remaining every bit as wonky, devilish, and potty-mouthed as the first.

Created by the comedic masterminds Kate McCartney and Kate McLennan (affectionately known as "The Kates"), the second season moves the action from the chilly south to the sweltering heat of the Northern Territory. It's a bold move that resets the visual palette but keeps the central DNA intact: razor-sharp satire, uncomfortable social commentary, and a body count that keeps you guessing until the very last second.

From Tasmania to the Top End: A New Setting for Chaos

If Season 1 was defined by puffer jackets, beanies, and the grey mist of Tasmania, Season 2 is defined by sweat, crocodiles, and the relentless sun of Darwin. The change in scenery isn't just cosmetic; it fundamentally alters the "wonky" energy of the show. Senior Sergeant Dulcie Collins (Kate Box) and the whirlwind of human chaos that is Eddie Redcliffe (Madeleine Sami) find themselves out of their element in the Top End, investigating a new, gruesome mystery that involves the local elite and the marginalized communities of the north.

The heat becomes a character itself. We see Eddie thriving in the humidity—her natural state is essentially "moist"—while Dulcie struggles with the lack of order. The transition from the "Scandi-noir" aesthetic of the first season to a "Tropical-noir" vibe allows the Kates to skewer a whole new set of Australian tropes. From the billionaire "Territory royalty" to the eccentric locals living on the fringes of the bush, the setting provides a rich playground for the show's signature brand of devilish humor.

  • Contrast: The shift from the freezing cold to 40-degree heat creates immediate physical comedy.
  • Culture Shock: The duo must navigate the specific politics of Northern Australia, including Indigenous relations and land rights.
  • Visuals: The cinematography trades muted blues for vibrant, harsh oranges and greens, making the gore pop even more.

The Dynamic Duo Returns: Dulcie and Eddie's Evolution

The heart of Deadloch has always been the "odd couple" chemistry between Kate Box and Madeleine Sami. In Season 2, that chemistry has matured. They are no longer just reluctant partners; they are a functioning (albeit highly dysfunctional) team. Box plays Dulcie with a simmering intensity that is constantly being tested by the world around her, while Sami's Eddie remains a tour de force of profanity and impulsiveness.

What makes this season so compelling is how it explores the personal toll of their previous case. They aren't just "reset" for a new mystery. Dulcie is dealing with the fallout of her marriage and her career choices, while Eddie is forced to confront her past in Darwin. There's a moment early in the season where Eddie tries to navigate a high-end cocktail party—a scene that perfectly captures the show's essence. She's loud, she's inappropriate, and she's wearing a shirt that's two sizes too small, but her instincts as a detective are sharper than anyone else in the room.

The supporting cast also returns with standout performances, particularly Nina Oyama as Abby. Watching Abby's transition from a naive constable to a slightly-more-competent-but-still-clueless detective is one of the show's greatest joys. The new characters introduced in Darwin are equally "wonky," filling the screen with the kind of specific, regional Australian archetypes that the Kates write so well.

Satire with a Bite: Why the Potty-Mouthed Humor Still Works

Let's talk about the language. Deadloch is famous for its "potty-mouthed" scripts. If you're offended by the C-word used as a comma, this probably isn't the show for you. However, the swearing in Deadloch isn't just for shock value; it's rhythmic. It's part of the show's rebellion against the polished, polite procedurals we see on network television.

The satire in Season 2 is even more pointed. The Kates take aim at corporate greenwashing, the commodification of Indigenous culture, and the "tough guy" culture of the Australian outback. By using a murder mystery as a vehicle, they manage to deliver some of the most biting social commentary on TV today without ever feeling like they are preaching. They make you laugh at the absurdity of a situation before hitting you with the dark reality of it.

The "devilish" nature of the writing lies in its ability to balance tone. One minute, you're laughing at a character's ridiculous outfit or a perfectly timed insult, and the next, you're staring at a crime scene that is genuinely disturbing. It's a high-wire act that few creators can pull off, but the Kates seem to do it with ease. They understand that for the comedy to work, the stakes of the mystery must be real.

Decoding the Mystery: Is Season Two Just as Gripping?

At its core, Deadloch is a whodunnit. The mystery in Season 2 is arguably more complex than the first. It involves a series of deaths that seem accidental at first but slowly reveal a darker, more systemic conspiracy. The pacing is deliberate—some might call it "wonky"—but it rewards the patient viewer. Every "fuck off" and "mate" is a breadcrumb leading toward a conclusion that is both shocking and inevitable.

The show excels at subverting expectations. Just when you think you've identified the killer based on typical TV tropes, the script flips the script. It plays with the audience's biases, leading us down rabbit holes that reflect our own assumptions about gender, race, and class. This is where Deadloch elevates itself from a simple parody to a top-tier crime drama.

Key elements that keep the mystery engaging include:

  • Red Herrings: The town is full of people with something to hide, making everyone a suspect.
  • Expert Pacing: The 8-episode format allows for deep character development without losing the plot's momentum.
  • Emotional Resonance: The victims aren't just props; their deaths have weight and consequences for the community.

Why Deadloch Season 2 is a Must-Watch on Prime Video

In a landscape of cookie-cutter streaming content, Deadloch stands out as a fiercely original voice. It is unapologetically Australian, yet its themes of justice, identity, and the absurdity of modern life are universal. It's a show that trusts its audience to keep up with its fast-paced dialogue and complex plotting.

Season 2 proves that the success of the first season wasn't a fluke. By leaning into the "wonky" elements and refusing to play it safe, the Kates have created a sequel that is just as fresh and vital as the original. It's a masterclass in how to evolve a show while staying true to its roots. Whether you're here for the mystery, the social commentary, or just to hear Madeleine Sami call someone a "fossilized dickhead," Deadloch delivers on all fronts.

As we wrap up our Deadloch season two review, the verdict is clear: this is essential viewing. It's dark, it's hilarious, and it's one of the best things on television right now. If you haven't started your journey into the chaotic world of Dulcie and Eddie, there's no better time to catch up. Just make sure you're prepared for the heat—and the language.

Deadloch Season 2 is now streaming on Prime Video. Prepare for a wild, devilish ride through the Top End that you won't soon forget.

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